![]() Jer has a certain fluidity here, and compared to the night before the band is interacting at a few degrees angular difference, in both summation and subtraction (cosine of supplementary angles). The whole freaking band jumps on it at the same second as if by conjured magic, and right when it peaks it dovetails back to the secondary theme, so the travelers can return from their chartered trip away. He travels up to the main theme and then starts a rhythm figure … that's perfect for FG. Then Phil tries one Bobby picks it up, but again they diverge toward Jer. Bobby starts a Feelin' Groovy but immediately drops it, as Jer is orbiting a post-Sputnik. Yet in totality it adds up to a standout, but in different ways than the night before. It's similar to others from the era, and neither this nor the night before are in my Top Five for the year. Ready to fly with a jouncy and skittering Cold Rain & Snow that makes for edgy and exciting. With shows at 8p & 11:30p and three bands, the set had to be more concise. If you came this night because you had bought their new album, this show was for you - the set gets both a Dawk Staw>Stephen>Eleven and a Lovelight, glowing red-orange. Now it is recognized as one of the best sets of '70. ![]() The early show used to get overlooked missing from some trades or jumbled in with late show tracks.
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